Rethinking musicality in dementia as embodied and relational

Pia Kontos, Alisa Grigorovich

Résultat de recherche: Articleexamen par les pairs

30 Citations (Scopus)

Résumé

With the biomedicalisation and the pharmaceuticalisation of dementia, music programs, as with other arts- and leisure-based programs, have primarily been implemented as non-pharmacological means to generate social and behavioural changes. We argue that understanding and fully supporting the musicality of persons living with dementia requires engagement with citizenship discourse. Specifically we draw on a model of relational citizenship that recognizes that corporeality is a fundamental source of self-expression, interdependence, and reciprocal engagement. We articulate this argument with reference to the musicality of two residents living with dementia in long-term residential care; one example is drawn from an ethnographic study of selfhood in dementia and the other is from a study of elder-clowning. Relational citizenship brings a new and critical dimension to the discourse on music, ageing, and the body in contemporary society. It further highlights the ethical imperative to fully support musicality through institutional policies, structures and practices.

Langue d'origineEnglish
Pages (de-à)39-48
Nombre de pages10
JournalJournal of Aging Studies
Volume45
DOI
Statut de publicationPublished - juin 2018
Publié à l'externeOui

Note bibliographique

Funding Information:
This work was supported by a Canadian Institutes of Health Research Operating Grant ( MOP–114953 ) and the Alzheimer Society of Canada and the Institute of Aging (Canadian Institutes of Health Research) (Award # 03-07 ). Alisa Grigorovich holds a Postdoctoral Ontario Women's Health Scholars Award, funded by the Ontario Ministry of Health and Long-Term Care , Ontario, Canada.

Publisher Copyright:
© 2018 Elsevier Inc.

ASJC Scopus Subject Areas

  • Issues, ethics and legal aspects
  • Health Policy

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